The book presents an authentic portrait of a notable American artist that is compelling reading for the general reader as well as scholars interested in twentieth-century American music, American Studies, gay rights, and civil rights. The essays in Gay Guerrilla offer context on Eastman's life history and the era's social landscape, commentaries on the composer's personality and talents, and analyses of his music. University of Rochester Press, 2018, Softcover, 284 pages, 22 × 14 cm Composer-performer Julius Eastman was an enigma, both comfortable and uncomfortable in. These episodes are examples of Eastman's persistence in pushing the limits of the acceptable in the highly charged arenas of sexual and civil rights. Gay Guerrilla (for string septet) Julius Eastman - Wise Music Classical Julius Eastman Gay Guerrilla (for string septet) (1979) Music Sales Corporation (World) Commissioned by the Chicago Symphony Orchestra Association for MusicNOW Riccardo Muti, Zell Music Director Missy Mazzoli, Mead Composer-in-Residence arr. Eastman tested limits with his political aggressiveness, as recounted in legendary scandals he unleashed, for example, his June 1975 performance of John Cage's Song Books, which featured homoerotic interjections, and the uproar over his titles at Northwestern University. His music, insistent and straightforward, resists labels and seethes with a tension that resonates with musicians, scholars, and audiences today. They will not only celebrate a fractured master but seek to change what Eastman could not, certainly not single-handedly: a largely white male avant-garde that’s learning to make room for other stories, and other visions.University of Rochester Press, 2018, Softcover, 284 pages, 22 × 14 cmĬomposer-performer Julius Eastman was an enigma, both comfortable and uncomfortable in the many worlds he inhabited: black, white, gay, straight, classical music, disco, academia, and downtown New York. 10, that includes concerts, performances, and an exhibition. Young musicians, queer artists, and others who champion Eastman’s singular vision are gathering at the Kitchen for a tribute, Jan. The current Eastman revival has been led by the brilliant composer Mary Jane Leach, who has done much to help reconstruct the music and who, along with the historian Renée Levine Packer, helped put out “Gay Guerrilla: Julius Eastman and His Music,” an essential text about the artist. This book title, Gay Guerrilla (Julius Eastman and His Music), ISBN: 9781580469562, by Renee Levine-Packer, Mary Jane Leach. The love and support that follow him now are very touching. Many of his compositions had been thrown out when he failed to pay the rent for his East Village apartment. Gay Guerrilla is a gathering around a sharedness that is also the collective acting out of difference, a dissonant and heavy group work that disrupts inherited. A compelling portrait of composer-performer Julius Eastmans enigmatic and intriguing. He wanted an academic position in order to keep going, but it didn’t come through he didn’t go along to get along, which is part of his genius, and his tragedy. Buy a cheap copy of Gay Guerrilla: Julius Eastman and His. Nemo Hill, Kyle Gann, John Patrick Thomas, Mary Jane Leach, Ryan Dohoney, Andrew Hanson-Dvoracek, Matthew Mendez, and Luciano Chessa. Lewis, Renée Levine Packer, David Borden, R. Renée Levine Packer and Mary Jane Leach (University of Rochester Press) chapters by George E. The project is a musical-choreographic exploration of the works of Afro-American composer. Talent is so precious, and he had such an original voice that I think he shouldn’t be buried, unknown. Review of Gay Guerrilla: Julius Eastman and His Music, ed. Speak Boldly - The Julius Eastman Dance Project / GAY GUERRILLA. He married political meaning to works for cello and piano which always sounded like the voice-his voice.Įastman, it seems, was a man filled with longing, and with dashed hopes that he helped dash. Nearly 30 years after his death, music by composer Julius Eastman began popping up on programs around Los Angeleshis work, reflecting his conflicted experience as a gay Black American, finding new relevance among audiences. His controlled-chance compositions are as bold as his titles, and, as one of the few blacks to gain recognition in the downtown avant-garde music scene (he moved to Manhattan in 1976), Eastman talked about race in his work at a time when many other composers were dealing with pure sound and repetition. PDF On Sep 15, 2018, Catherine Laws published Renée Levine Packer & Mary Jane Leach (eds), Gay Guerrilla: Julius Eastman and His Music: Rochester, NY, University of Rochester Press, 2015. Eastman composed what he called “organic music”: each phrase of a piece contained a bit from the previous phrase-but then he might erase some phrases.
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